There was a time that the label ‘noir’ could legitimately be applied only to a specific cycle of post-World War II Hollywood films. In recent years, however, there has been increasing acceptance of a much more flexible use of the term –both to draw in pre-World War II examples and, more importantly, to expand the category sufficiently to include the phenomenon of “Neo-Noir.”
This widening of the term, of course, complicates one of the questions that critics continue to debate. That is, what kind of classification is 'noir'? Is it a visual style, a tone, a genre, a generic field, a movement, a cycle, a series - or just a helpful category? Rather, it is a ‘network of ideas’ that can be borrowed from and played with. Therefore, a “Neo-Noir” is a film that harkens back to the original genre, but also re-invents itself for more modern sensibilities.
The transformations of the genre in Neo-Noir have helped to clarify some of the constant, recognizable elements of 'the noir vision', most importantly the moral ambivalence of the protagonist and his (or her) ill-fated relationship with a wider society that itself is guilty of corruption and criminality.
Check out a list of Neo-Noir titles (courtesy of Wikipedia), as well as some recent noir-related quotes from film reviews.
L.A. Confidential is the perfect neo-noir; set in the 1950s, made in the 1990s, it deftly intertwines the conventions of classic noir and modern sensibilities.
Powerpoint synopsis of the first hour of LA Confidential...
Notes on the noir elements found in both Double Indemnity and LA Confidential
Powerpoint synopsis of the first hour of LA Confidential...
Notes on the noir elements found in both Double Indemnity and LA Confidential
